Ink on Yupo with Masking Layers

I was organizing some stuff in the studio the other day and ran across a pile of 11" X 17" "xerox" copies that I made thinking I would use them for Pronto prints or paper lithography prints. My last attempt at the paper litho didn't go particularly well, so the project had been abandoned.

I decided that these images might be a good basis for some alcohol ink on Yupo artwork.

I knew that I wanted to use a LOT of masking fluid (I use Miskit) in a new abstract way and that I wanted a turquoise background when I was finished. For this new method, I decided that pink would be a nice contrast to the turquoise, so I painted the whole background in pink. I think I added some shadow gray as well...and perhaps some purple.

I let this dry.

I then took a 1/2" brush and applied the masking fluid (Miskit) to my favorite pink areas and added a lot of splatters and dots.

I let this dry.

Then, I held the painting vertically (over paper towels and trash can) and used my spray bottle of 91% alcohol to splotch and rinse the pink from the unmasked areas.

I let this dry.

Then I began painting the actual images inspired by the photocopy. I used both a round brush and a fan brush and the droppers of course. Because the Yupo was more opaque than I thought it would be, I used a light box in a dark room to see the image through the Yupo. I could have drawn the image first, but for this particular piece, I decided that I didn't want pencil lines. Below is the painting with the masking liquid (Misket) still in place, but the main imagery painted.

I let this dry. It takes longer for the ink to dry on top of the masking fluid. (If you are not patient, ink that is still sticky will make a mess in the next step.)

I was very pleased at this point. I almost wished I could ignore the masking fluid and call it done, but I was also very curious what it would look like removed, so I started taking it off. Dried masking fluid sticks to itself, so you just sort of make a ball as you go. Some bits are stubborn and the Yupo tends to release ink if rubbed more than some other surfaces, so try to touch only the masking fluid, unless you like the scrubby look below.

As you can see, the masking fluid also lifted some of the pink ink. I found that using a gentle touch and not re-daubing, I could keep from lifting as much.

Some of my darker areas and some of the yellow flower bits were painted over the masking fluid and were lifted away, so I then went back in and repainted. I also worked in some straight extender and some diluted inks to add some rhythm to the dense area.

Here is the finished piece:

(Scheduled for Cross-posting on AI Art Blog)

1 comment:

Lillian Connelly said...

I love the energy in this piece! it's gorgeous.